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I requested him to give a mesغير مجاز مي باشدe on my tape recorder, which he did and was amused to listen to his own voice when I played it. When I went to meet Sattradikar, I was asked not to show my back to the Sattradhikar, the head of the Sattra Chandrahas Dev Gosw-ami.Barring Govind Vidyarthi from Sangeet Natak Akademi, no one else from outside of Assam had ever visited Kamalabari Sattra. But the final recognition came only in 2000 during Bhupen Hazarika’s chairmanship of SNA. And it was so different.It was around early seventies that senior monk Raseswar Saikia left Kamalabari Sattra, married and settled down in Guwahati.The well known singer Bhupen Hazarika was studying at BHU. By 1958, with participation in Dance Seminar, it was accepted as a classical dance form of Assam.In its solo form Sattriya is performed like other classical dance forms. Shankardev composed Bargit, Ojapali songs as well as dances and incorporated them in Ankiya Nat or Ankiya Bhaona. With help of young dancer Indira P.I was 22, a greenhorn, up and coming dance scholar attending the seminar with my mentors Mohan Khokar and Dr Mulk Raj Anand. But this was different. At the age of thirty three he toured northern and central India and studied the social and cultural life of the people. French artists have visited Kamalabari Sattra and have studied Ankiya Nat and have got Parijata Haran, translated in to French and have performed it at Shankaranand Kalakshetra at Guwahti.

Today several things have changed in terms of presentation, colourful غير مجاز مي باشدtumes and sophisticated movements, retaining the traditional core values, and practically every young girl in Assam performs Sattriya dances. Gitor Nach, Nadu Bhangi, Chali Nach, Behar Nach and so on. At the heart of sattra is the namaghar where music, dance and dance-drama performances take place. He china sofa fabric Factory opened Sangeet Sattra institution and took a revolutionary step of training girls in Sattriya. Indira and her daughter Menaka PP Bora, Anita Sharma and her daughter Arhie, Sharodi Saikia, Anwesha Mahant, Meernanda Barthakur, Mallika Kandali, Lima Das, Bhabanand, Narendra Bora, Ramkrishna Talukdar and others have earned national and international fame.Forms of prayer include music, dance and dance-dramas based on theme of Lord Krishna. There were distinct movements of this dance form, which at that early stage of 1958 had convinced some of us of its classical character, meeting the norms of classical dance. Others like Vishnu Prasad Rabha, Pradip Chaliha, and Suresh Goswami joined Jibeswar and they toured various parts of Assam creating awareness of the dance form in sattras. The great Saint Shankaradeva (1449-1568) born n Nagaon, was educated in Sanskrit and was proficient in dance, darama, music, and painting. was performed for my recording in its Assamese version one old senior guru demonstrated for me an item of 24 incarnations of Vishnu, which was something new for me.

If it’s a copy, the assistant must be pulled up,” says Narresh.Malaika in an Amit Agarwal outfit inspired by Versace (left) courtesy: Diet SabyaSpotting a CopycatSo, are designers drawing a bit too much inspiration from each other? And is it fair to use the word copycat in front 


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